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The debut album release by Vladislav Delay appeared on the obscure Australian low-tech electronica label Sigma Editions in 1998 in a small pressing in handmade sleeves. The prolific experimental artist rose to becoming one of the most critically acclaimed electronic artists of the turn of the millennium, with releases on the Mille Plateaux, Chain Reaction, and Force Ink labels following this release in quick succession. A couple of the dub-inflected abstractions here surfaced on his Mille Plateaux debut the following year, but this album is his defining point-of-departure in defining a new hybrid dub, minimalism, IDM, post-techno music. His atmospheres are made of off-kilter, pulsing rhythms and textured loop experiments that are structured akin to avant-garde minimalist Steve Reich, yet have their roots in techno and house. (Review by Dean McFarlane)
released January 1, 1999
Recorded live at Rainy Day, Helsinki, July and October 1998.
Different versions of "Kohde" and "Ele" appear on Vladislav Delay's Entain.
6 drone tracks that make my stomach sick with dread. This is the soundtrack to the documentary that has all the answers to our suffering, just to find out the answers reveal a truth so horrifying and revolting you cannot stand to live in this world anymore from your newly found disgust for humanity. The last few minutes of We All Get It In The End is your death. UntitledKirk
Throughout "Under," Dyani presents carefully-produced, soundscapes that, in one moment, invite the body to sway with echoing synths, whistles, claves and, in the next, pummel with waves of thumping hi-hats and bass. Bandcamp Album of the Day Sep 22, 2020